Star Trek II: Xonning g'azabi - Star Trek II: The Wrath of Khan

"Star Trek 2" bu erga yo'naltiradi. Xuddi shu franshizaning 2009 yildagi filmining 2013 yil davomi uchun qarang Zulmatga kirib boradigan trek. Taklif qilinayotgan teleseriallar uchun qarang Yulduzli trek: II bosqich.

Star Trek II: Xonning g'azabi
Star Trek II The Wrath of Khan.png
Teatrlashtirilgan plakat san'ati Bob Peak
RejissorNikolas Meyer
Tomonidan ishlab chiqarilganRobert Sallin
Ssenariy muallifiJek B. Sowards
Hikoya
AsoslanganYulduzli trek
tomonidan Gen Roddenberry
Bosh rollarda
Musiqa muallifiJeyms Xorner
KinematografiyaGayne Rescher
TahrirlanganUilyam Pol Dornish
TarqatganParamount rasmlari
Ishlab chiqarilish sanasi
  • 1982 yil 4-iyun (1982-06-04)
Ish vaqti
113 daqiqa[1]
MamlakatQo'shma Shtatlar
TilIngliz tili
Byudjet12 million dollar[2][3]
Teatr kassasi97 million dollar[4]

Star Trek II: Xonning g'azabi 1982 yilgi amerikalik ilmiy-fantastik film rejissor Nikolas Meyer va teleseriallar asosida Yulduzli trek. Bu filmdagi ikkinchi film Yulduzli trek filmlar seriyasi, va a davomi ga Yulduzli trek: Kinofilm (1979). Syujetda Admiral tasvirlangan Jeyms T. Kirk (Uilyam Shatner ) va yulduz kemasining ekipaji USS Korxona genetik jihatdan yaratilgan zolimga qarshi turish Xon Nunien Singx (Rikardo Montalban ), birinchi marta 1967 yilda paydo bo'lgan belgi Yulduzli trek epizod "Kosmik urug'i Xan Kirkdan qasos olish uchun 15 yillik quvg'indan qochib qutulganida Korxona uni qudratli shaxsga ega bo'lishiga to'sqinlik qilishi kerak terraforming Ibtido nomli qurilma. Film uchta filmning boshlanishi hikoya yoyi bu film bilan davom etmoqda Star Trek III: Spokni qidirish (1984) va film bilan yakunlanadi Star Trek IV: Sayohat uyi (1986).

Birinchi filmga tanqidiy javobdan so'ng, serial yaratuvchisi Gen Roddenberry davomi prodyuserlikdan chiqarildi. Ijrochi prodyuser Harve Bennet filmning asl konturini yozgan Jek B. Sowards to'liq skript shaklida ishlab chiqilgan. Meyer so'nggi ssenariyni o'n ikki kun ichida yozma kredit olmasdan yakunladi. Meyerning yondashuvi uni uyg'otdi chayqalish original seriyadagi atmosfera, bu mavzu mustahkamlangan Jeyms Xorner musiqiy partiyasi. Leonard Nimoy filmning davomida rol o'ynashni niyat qilmagan edi, lekin uning obraziga dramatik o'lim sahnasi berilishi haqidagi va'dasiga qaytdi. Spokning o'limiga salbiy ta'sir ko'rsatgan tomoshabinlarning reaktsiyasi Meyerning e'tirozlari ustidan yakunning muhim qayta ko'rib chiqilishiga olib keldi. Ishlab chiqarish jamoasi turli xillardan foydalangan xarajatlarni kamaytirish byudjetni saqlash usullari, shu jumladan o'tgan loyihalardagi miniatyura modellaridan foydalanish va birinchi filmdagi to'plamlar, effektlar va liboslarni qayta ishlatish. Filmning texnik yutuqlari orasida to'liq yaratilgan ketma-ketlikni o'z ichiga olgan birinchi badiiy film kompyuter grafikasi.

Star Trek II: Xonning g'azabi tomonidan Shimoliy Amerikada 4 iyun 1982 yilda chiqarilgan Paramount rasmlari. Bu daromad kassa yutuqlari edi 97 AQSh dollari million (2019 yilda taxminan $ 257 millionga teng) va butun dunyo bo'ylab birinchi kassa tushumlari bo'yicha jahon rekordini o'rnatdi. Filmga tanqidiy munosabat ijobiy bo'ldi; sharhlovchilar Xonning xarakterini, filmning pacing tezligini va xarakterlarning o'zaro ta'sirini kuchli element sifatida ta'kidladilar. Salbiy reaktsiyalar kuchsiz maxsus effektlarga va ba'zi aktyorlarga qaratilgan. Xonning g'azabi ko'pchilik tomonidan eng yaxshi film deb hisoblanadi Yulduzli trek seriyali va ko'pincha franchayzingga bo'lgan katta qiziqishni yangilagan deb hisoblanadi.

Uchastka

2285 yilda Admiral Jeyms T. Kirk kapitanning simulyator sessiyasini nazorat qiladi Spok tinglovchilar. Simulyatsiyada leytenant Saavik buyruqlar yulduz kemasi USSKorxona shikastlangan kemaning ekipajini qutqarish uchun qutqaruv vazifasida Kobayashi Maru, lekin hujumga uchraydi Klingon kreyserlar va juda shikastlangan. Simulyatsiya a yutuqsiz ssenariy xarakterini sinash uchun mo'ljallangan Starfleet zobitlar. Keyinchalik, doktor Makkoy o'zining tug'ilgan kunida Kirkga qo'shiladi; Kirkni kayfiyatda ko'rganida, shifokor Kirkga yangi buyruq berishni va stol ortida qarib qolmaslikni maslahat beradi.

Ayni paytda, starship Ishonchli o'lik moddani qayta tashkil etish uchun yaratilgan "Genesis Device" texnologiyasini sinab ko'rish uchun jonsiz sayyorani izlash vazifasida. yashashga yaroqli dunyolar. Ishonchli zobitlar qo'mondoni Pavel Chekov va kapitan Klark Terrell pastga tushing ular Ceti Alpha VI deb hisoblagan sayyorani baholash; u erda bo'lganidan so'ng, ular genetik jihatdan yaratilgan zolim tomonidan qo'lga olinadi Xon Nunien Singx. Ko'p yillar oldin, Kirk Xetni va uning supermenlarini Ceti Alpha V-ga uning kemasini egallab olishga urinishganidan keyin surgun qildi. Qo'shni sayyora portlab, Ceti Alpha V yuzasini vayron qildi va Xonning bir necha izdoshlari, shu jumladan uning rafiqasi o'limiga sabab bo'ldi. Xan Chekov va Terrellni aql-idrokni boshqarish qobiliyatiga ega bo'lgan mahalliy ilon lichinkalari bilan implantatsiya qiladi va ularni qo'lga olish uchun ishlatadi. Ishonchli. Ibtido qurilmasini o'rganish, Xon kosmik stantsiyaga hujum qiladi I Regula bu erda qurilma Kirkning sobiq sevgilisi Dr. Kerol Markus va ularning o'g'li, Dovud.

Kirk buyruqni o'z zimmasiga oladi Korxona kema mashg'ulot kruiziga jo'natilgandan so'ng, qayg'u chaqiruvi qabul qilinadi I Regula. Yo'nalishida, Korxona pistirma va nogiron Ishonchli. Xan Kirk ekipajini Ibtido bilan bog'liq barcha materiallardan voz kechsa, ularga yordam berishni taklif qiladi; Buning o'rniga Kirk vaqtni to'xtatadi va masofadan pastga tushadi Ishonchli's qalqon, qarshi hujumni yoqish. Xon orqaga chekinishga va ta'mirlashni amalga oshirishga majbur Korxona oqsoqlanish I Regula. Kirk, Makkoy va Saaviklar bekatga etib kelishdi va Terrell va Chekovni tirik holda topdilar, shuningdek Markus jamoasining so'yilgan a'zolari. Tez orada ular Kerol va Dovud Genezisni yaqin atrofdagi planetoidning tubida yashirishayotganini topishadi. Xon Terrell va Chekovni ayg'oqchi sifatida ishlatib, ularga Kirkni o'ldirishni buyurdi; Terrel ilonning ta'siriga qarshi turadi va o'zini o'ldiradi, Chekov esa ilon tanasidan chiqib ketayotganda yiqilib tushadi. Xan Ibtido kemasini bortida tashiydi Ishonchli, Kirkni jonsiz sayyorada maroon qilishni maqsad qilgan, ammo Kirk va Spokning uchrashuv uchun kodlangan kelishuvlari tomonidan aldanib qolgan. Kirk boshqaradi Korxona yaqin atrofdagi Mutara tumanligiga; tumanlik ichidagi sharoitlar maqsadsiz tizimlarni yaroqsiz va murosasiz himoya qiladi Korxona va Ishonchli teng ravishda tenglashtirilgan. Spokning ta'kidlashicha, Xonning taktikasi uch o'lchovli jangda tajribasizligini ko'rsatib turibdi, Kirk uni o'chirib qo'yish uchun foydalanadi Ishonchli.

O'limdan yarador bo'lgan Xan "Ibtido" ni faollashtiradi, u tumanlikdagi barcha moddalarni qayta tashkil qiladi, shu jumladan Korxona. Kirk ekipaji aktivizatsiya va masofadan tashqariga chiqishga urinishlarni aniqlasa-da, ular tumanlikdan o'z vaqtida kemaning ishlamay qolishidan qochib qutula olmaydilar. burama disk. Spok radiatsiya bilan to'lib toshgan dvigatel xonasida ish kuchini tiklash uchun ketadi. Makkoy Spokning kirishiga to'sqinlik qilmoqchi bo'lganda, Spok uni qobiliyatsiz qiladi Vulkan asab chimchilashi va bajaradi a aql meld, unga "eslab qolish" kerakligini aytdi. Spock çözgü diskini ta'mirlaydi va Korxona yangi sayyorani tashkil etadigan portlashdan qutulib qoladi.

O'limdan oldin radiatsion zaharlanish, Spok Kirkni xafa bo'lmaslikka chaqiradi, chunki uning kema ekipajini qutqarish uchun o'zini qurbon qilishga qaror qilgani mantiqiy qaror edi. A kosmik ko'mish tutiladi va Spokning tobuti yangi sayyora atrofida orbitaga otiladi. Ekipaj olib ketish uchun jo'nab ketadi Ishonchli"s Ceti Alpha V dan marooned ekipaj; Spokning tobuti Ibtido sayyorasi yuzasiga yumshoq tushganligi ko'rsatilgan.[5][6][7]

Cast

Xonning g'azabi'aktyorlar tarkibiga asl televizion seriyadagi barcha asosiy belgilar, shuningdek, yangi aktyorlar va belgilar kiradi.

  • Uilyam Shatner kabi Jeyms T. Kirk, Starfleet Admiral va sobiq qo'mondoni Korxona. Kirk va Xon film davomida hech qachon yuzma-yuz to'qnash kelmaydi; ularning barcha o'zaro aloqalari tomosha ekranida yoki kommunikatorlar orqali amalga oshiriladi va ularning sahnalari to'rt oylik masofada suratga olingan.[8] Meyer Shatnerni o'zining xarakterini va o'zini tabiiy ravishda himoya qiladigan va bir necha marotaba yaxshiroq ijro etgan aktyor deb ta'riflagan.[9]
  • Rikardo Montalban kabi Xon Nunien Singx, 1990-yillarda Yerning ko'p qismini qisqacha boshqarish uchun o'z kuchi va aql-zakovatidan foydalangan genetik jihatdan rivojlangan g'ayriinsoniy. Montalban barcha yaxshi yovuz odamlarning yomon ishlarni qilishiga ishonishini, ammo ular "to'g'ri" sabablarga ko'ra harakat qilyapman deb o'ylashini aytdi; shu tariqa Xon xotinining o'limidan g'azablanib, Kirkni ta'qib qilishni oqlash uchun foydalanadi.[10] Montalbanning sun'iy ko'krakdan foydalanganligi haqidagi taxminlardan farqli o'laroq, Montalbanning mushaklari fizikasiga sun'iy moslamalar qo'shilmagan.[9] Montalban filmni suratga olishdan juda ham zavqlanar edi, shuning uchun u rolni unga taqdim etilganidan ancha kamroq o'ynagan va bu rolni karerada eng muhim narsa deb bilgan. Uning asosiy shikoyati shundaki, u hech qachon Shatner bilan sahna ko'rinishi uchun yuzma-yuz bo'lmagan. "Men o'zimning satrlarimni ssenariychi qiz bilan qilishim kerak edi, u tasavvur qilganingizdek, Bill [Shatner] ga o'xshamas edi", - deya tushuntirdi u.[11] Bennett filmni olishga yaqin bo'lganini ta'kidladi yashil chiroq hech kim Montalbandan televizion ko'rsatuvni suratga olishda tanaffus qilishini so'ramaganligi prodyuserlarning xayoliga kelganida Fantaziya oroli qatnashmoq.[10]
  • Leonard Nimoy kabi Spok, kapitani Korxona Starfleet kemani Regula I. ga yuborganidan keyin Kirkga buyruqdan voz kechgan. Nimoy unda ishtirok etishni niyat qilmagan Kinofilm'ning davomi, lekin uning xarakteriga dramatik o'lim sahnasi berilishi haqidagi va'dasi orqaga qaytdi.[12]:243 Nimoy shundan beri shunday deb o'ylardi Xonning g'azabi final bo'lar edi Yulduzli trek Filmda Spokning "shon-shuhrat olovida chiqib ketishi" xarakterni tugatish uchun yaxshi usul bo'lib tuyuldi.[10]
  • DeForest Kelley kabi Leonard Makkoy, Korxona'bosh tibbiyot xodimi va Kirk va Spokning yaqin do'sti. Kelley ssenariyning dastlabki versiyasidan norozi bo'lib, u ishtirok etmaslikni o'ylardi.[12]:243 Kelley ta'kidlaganidek, uning xarakteri filmning engilroq yo'nalishlarida ko'p gapirgan va bu rol ekrandagi dramaning engil tomonlarini olib borishda muhim ahamiyatga ega deb o'ylagan.[10]
  • Jeyms Duxan kabi Montgomeri Skott, Korxona's bosh muhandisi. Kelli Makkoy o'zining iborasini aytayotganini his qildi "U vafot etdi, Jim "Spokning o'limi paytida voqea jiddiyligini buzishi mumkin edi, shuning uchun Duxan o'rniga" U allaqachon o'ldi "degan satrni Kirkga aytadi.[12]:249 Xon hujum qilganidan keyin Skott o'zining yosh jiyanidan ayriladi Korxona. Kursant o'ynadi Ike Eisenmann, uning ko'plab satrlari asl teatr namoyishidan, shu jumladan uning Skottning qarindoshi ekanligi tushuntiriladigan sahnadan kesilgan. Ushbu sahnalar qachon qayta tiklangan ABC efirga uzatildi Xonning g'azabi 1985 yilda televizorda va rejissyor nashrida Skottning ekipaj a'zosi o'limidan qayg'usini yanada tushunarli qildi.[13]
  • Jorj Teyki kabi Hikaru Sulu, ning boshqaruvchisi Korxona. Takei o'z rolini takrorlashni xohlamagan edi Xonning g'azabi, ammo Shatner uni qaytishga ko'ndirdi.[13]
  • Valter Koenig kabi Pavel Chekov, Ishonchli'birinchi ofitser va sobiq Korxona ekipaj a'zosi. Filmni suratga olish paytida Kelley Chekov hech qachon "Kosmik urug'i" da Xon bilan uchrashmaganligini ta'kidladi (Koenig hali aktyorlar tarkibiga qo'shilmagan) va shu tariqa Xetning Ceti Alpha-da Chekovni tanishi mantiqqa to'g'ri kelmasdi. Kanon bo'lmagan Yulduzli trek kitoblar ushbu kelishmovchilikni ratsionalizatsiya qilishga urinishgan; tomonidan filmning romanida Vonda N. McIntyre, Chekov "kosmik urug '" paytida "tungi qo'riqchiga tayinlangan" va Xon bilan ekrandan tashqarida uchrashgan.[14] Roman Jahannamda hukmronlik qilish: Xon Nunien Singxning surgun qilinishi televizion epizod voqealaridan keyin Chekovni Xetini Ceti Alfa yuzasiga olib borishi bilan xatoni to'g'irlaydi. Xatolikning asl sababi film ijodkorlarining oddiy nazorati edi. Meyer shuni ta'kidlab xatoni himoya qildi Artur Konan Doyl unga o'xshash nazoratlarni amalga oshirdi Sherlok Xolms hikoyalar.[9] Ular birgalikda epizodda ko'rinmasa ham Yulduzli trek vaqt jadvaliga ko'ra, o'sha paytda Chekov ekipaj a'zosi bo'lgan.[15] Ceti ilonini yuqtirganida Chekovning qichqirig'i Koenigga filmni hazillashib dublyaj qilishga sabab bo'ldi Star Trek II: Chekov yana qichqiradi, shunga o'xshash qichqiriq sahnasiga murojaat qilib Kinofilm.[13]
  • Nichelle Nichols kabi Uhura, Korxona'aloqa xodimi. Nichols va Gen Roddenberry film elementlari, jumladan, dengiz havolalari va militaristik forma bilan bog'liq muammolarga duch kelishdi. Nichols shuningdek, Roddenberni prodyuserlar uni ssenariylar tarqalishi manbai deb hisoblashganda himoya qilishdi.[16]
  • Bibi Besch kabi Kerol Markus, "Ibtido" loyihasi ustida ish olib borayotgan etakchi olim va Kirkning o'g'lining onasi. Meyer aktrisani qidirib topar edi, chunki u Kirk kabi ayol ziyon ko'rishi mumkin edi, ammo u aql-idrok hissini aks ettirishi mumkin edi.[9]
  • Merritt Butrik kabi Devid Markus, Genesis Project loyihasi bo'yicha olim va Kirkning o'g'li. Butrikning sochlari Beschnikiga o'xshash sariq va Shatnernikiga o'xshash jingalak bo'lib, uni ikkalasining ishonarli o'g'liga aylantirganligi Meyerga yoqdi.[9]
  • Pol Uinfild kabi Klark Terrell, kapitani Ishonchli. Meyer Uinfild ishini kabi filmlarda ko'rgan Asoschisi va u haqida juda yaxshi o'ylardi; uni shunday deb atash uchun hech qanday sabab yo'q edi Ishonchli'Mayerning unga rahbarlik qilish istagidan tashqari s. Meyer orqaga qarab, Ceti ilonining sahnalari shov-shuvli bo'lishi mumkin deb o'ylar edi, lekin Uinfildning ishlashi tortishish kuchini oshirishga yordam bergan deb o'ylardi.[9]
  • Kirsti xiyoboni kabi Saavik, Spok proteysi va bortdagi Starfleet komandiri Korxona. Chekov yo'qligida navigator sifatida xizmat qilganida, u Kirkning eksantrik qahramonlik usullarini shubha ostiga qo'yadigan odat tusiga kirgan va kitobga asoslangan usulni afzal ko'rgan. Doimiy ravishda Kirkga qoidalar va qoidalarni keltirgan holda, u Xon bilan jang paytida o'zini oqladi va uning uslubi Spokga ilmiy laboratoriyada Kirk bilan qanday qilib kod bilan gaplashish g'oyasini beradi. Kirk va Makkoy ilmiy laboratoriyaga tushmoqchi bo'lganlarida, u Kirkni himoya qilish bahonasida ular bilan borishni talab qiladi. Film Alley-ning birinchi badiiy filmdagi roli edi. Saavik Spokning dafn marosimida yig'layapti. Meyerning aytishicha, filmni suratga olish paytida kimdir undan: "Siz bunga yo'l qo'yasizmi?" Va men: "Ha", dedim, ular: "Ammo vulkanlar yig'lamaydilar", dedim va: "Xo'sh, mana shu narsa Vulkanni qiziqishiga sabab bo'ldi", dedim.[9] Qahramonning emotsional portlashlari qisman Saavikning aralash vulkan sifatida tasvirlanganligi bilan izohlanishi mumkin.Romulan ssenariyda meros, ammo filmda ko'rsatma berilmagan.[13] Xiyobon vulkan quloqlarini shunchalik sevar ediki, har kuni oxirida ularni uyiga olib ketardi.[9]

Ishlab chiqarish

Rivojlanish

Gen Roddenberry ning rivojlanishidagi bevosita rolidan chetlashtirildi Xonning g'azabi u ortda qolgan asosiy sabab bo'lgan degan xavotir tufayli Kinofilm"s iliq qabul.[12]:240–241

Ozod qilinganidan keyin Kinofilm, ijrochi ishlab chiqaruvchi Gen Roddenberry o'z davomini yozdi. Uning fitnasida ekipaj Korxona Klingonlardan foydalangandan so'ng buzilgan vaqt chizig'ini to'g'ri belgilash uchun o'z vaqtida sayohat qiling Forever Guardian oldini olish uchun Jon F. Kennedining o'ldirilishi.[17][18]:161 Buni Paramount rahbarlari rad etishdi, ular birinchi filmning iliq qabul qilinishi va xarajatlarini uning shiddatli sur'atida va Roddenberining doimiy ravishda qayta yozishida aybladi.[12]:240–241 Natijada, Roddenberry ishlab chiqarishdan chetlashtirildi va Shatnerning so'zlariga ko'ra, ijrochi maslahatchi tantanali lavozimiga "tepaga tepildi".[18]:99

Harve Bennet, yangi Paramount televizion prodyuseri keyingi prodyuserga aylandi Yulduzli trek film.[12]:240–242 Bennetning so'zlariga ko'ra, uni bir guruh oldida, shu jumladan, chaqirishgan Jeffri Katzenberg va Maykl Eisner va undan ko'ra yaxshiroq film suratga olish mumkin deb o'ylaysizmi, deb so'radi Kinofilm, buni Bennett "haqiqatan ham zerikarli" deb bilganini tan oldi.[19] Bennett ijobiy javob berganida, Charlz Blyudorn "Qirq besh funt-million dollardan kamroq pul topa olasizmi?" Bennett "Men qayerdan kelgan bo'lsam, buning uchun beshta film suratga olishim mumkin" deb javob berdi.[12]:240 Bennet yangisini ishlab chiqishda jiddiy muammoga duch kelganini tushundi Yulduzli trek qisman televizor seriyasini ko'rmaganligi sababli film.[12]:240 Shou epizodlarini tomosha qilish Bennettga birinchi rasm etishmayotgan narsa haqiqiy yovuz odam ekanligiga ishonch hosil qildi; qismni ko'rgandan keyin "Kosmik urug'i ", u Xon Nunien Singxning xarakteri yangi film uchun eng zo'r dushman deb qaror qildi.[20] Bennett filmni suratga olish uchun televizion reklama rejissyori va kollejdagi do'sti Robert Sallinni tanladi. Sallinning ishi ishlab chiqarish edi Star Trek II tez va arzon.[21] Bennet ham yollandi Maykl Minor film yo'nalishini shakllantirish uchun badiiy rahbar sifatida.[21]

Bennet birinchi yozgan filmni davolash 1980 yil noyabrda. Uning versiyasida, nomli Avlodlar urushi, Kirk uzoq olamga qarshi qo'zg'olonni tekshiradi va uning o'g'li isyonchilarning etakchisi ekanligini aniqlaydi. Xon fitna uyushtiruvchisidir va Kirk va o'g'li zolimni mag'lub etish uchun kuchlarni birlashtiradi. Keyin Bennet ishga yollandi Jek B. Sowards, g'ayratli Yulduzli trek muxlis, uning konturini filmga qodir ssenariyga aylantirish uchun. Sowards 1981 yilda yozuvchining ish tashlashidan oldin dastlabki ssenariyni yozgan. Sowards loyihasi, Omega sindromi, Federatsiyaning yakuniy quroli - "Omega tizimi" ni o'g'irlash bilan bog'liq.[20] Sowards uning quroli juda salbiy ekanligidan xavotirda edi va Bennett "yanada ko'tarilishni xohladi" va 23-asrda rekombinant DNK bizning davrimizda bo'lgani kabi "deb esladi Minor.[21] Minor Bennettga qurilmani a ga aylantirishni taklif qildi terraforming o'rniga vosita. Ertasi kuni o'tkazilgan hikoyalar konferentsiyasida Bennet Minorni quchoqladi va u tejaganini e'lon qildi Yulduzli trek.[21] Qurolning Muqaddas Kitobdagi kuchini tan olgan Sowards "Omega tizimi" ni "ga o'zgartirdiIbtido Qurilma".[20]

1981 yil aprelga kelib, Sowards Spockning o'limini keyingi hikoyaga ko'chiradigan loyihani ishlab chiqardi,[20] ssenariy tarqalganidan keyin tadbirga muxlislarning noroziligi sababli.[9] Dastlab Spok Bennett bilan taqqoslaganda dahshatli halokatda birinchi aktda vafot etgan edi Janet Ley erta o'lim Psixologiya.[22] Ushbu qoralama Kirk va Xonning o'n ikki sahifali yuzma-yuz to'qnashuviga ega edi.[23] Sowards loyihasida Saavik ismli erkak xarakter ham paydo bo'ldi.[20][24] Oldindan ishlab chiqarish boshlanganda, Samuel A. Peeples, yozuvchisi Yulduzli trek epizod "Ilgari hech kim ketmagan joy ", o'z stsenariysini taklif qilish uchun taklif qilingan. Peeples loyihasi Xonning o'rniga Sojin va Moray ismli ikkita yangi yovuz odamni kiritdi; begona mavjudotlar shunchalik kuchliki, ular Yerni adashib yo'q qilishadi. Ushbu yozuv etarli emas deb topilgan;[23] o'zga sayyoraliklar juda o'xshash edi odatdagidek yomon odamlar TOS (Yulduzli trek: asl seriya) epizod.[25] Mavjud bo'lmagan maxsus effektlarni ishlab chiqarishni boshlash uchun (tayyor stsenariyga asoslangan batafsil stsenariylar kerak bo'lgan) muddatlar yaqinlashdi.[20]

Rejissyor Nikolas Meyer (rasm 2008 yilda) hech qachon epizod ko'rmagan edi Yulduzli trek filmni suratga olish va ssenariyni qayta yozish uchun murojaat qilganida.

Paramount kompaniyasining ijrochi direktori Karen Mur buni taklif qildi Nikolas Meyer, yozuvchisi Cent-Per-Seven Qarori va direktori Vaqtdan keyin vaqt, ssenariy bilan bog'liq muammolarni hal qilishga yordam berishi mumkin.[10] Meyer ham hech qachon epizodni ko'rmagan edi Yulduzli trek.[26] U avvalgi loyihalardan ijodiy guruhga yoqqan barcha narsalardan iborat ro'yxatni tuzish g'oyasiga ega edi - "bu personaj, sahna, syujet, subplot bo'lishi mumkin, [.. .] bu suhbatlashish liniyasi bo'lishi mumkin "- demak u ushbu ro'yxatni oldingilarining barcha yaxshi tomonlaridan olingan yangi ssenariyning asosi sifatida ishlatishi mumkin.[10][25] Spokning o'lishini kutgan muxlislarni kutish uchun Meyer ochilish sahnasida Kobayashi Maru simulyatorida "o'ldirilgan" belgiga ega edi.[9][25] Effektlar kompaniyasi atigi 12 kun ichida yakunlangan skriptni talab qildi. Meyer ssenariyni ishonchsiz va muddatidan oldin hech qanday haq to'lamay yozgan, aktyorlar va prodyuserlarni hayratda qoldirgan,[10] va kerak bo'lganda keyingi qayta yozishni tezda ishlab chiqardi. Masalan, bitta loyihada Xan guruhida bola bo'lgan, u Ibtido portlashida boshqalar bilan birga o'ldirilgan.[25] Keyinchalik Meyer shunday dedi:

Men olib kelgan asosiy hissa Star Trek II sog'lom hurmatsizlik edi ... Yulduzli trek inson edi kinoya kosmik formatda. Bu uning kuchliligi va oxir-oqibat zaifligi edi. Men ularni ko'proq odamiy qilish va biroz kamroq yog'och qilish uchun beparvolik bilan harakat qildim. Kapitan Kirkning hojatxonaga borishini talab qilmadim, lekin bordim Yulduzli trek shu qadar muqaddas bo'lishi kerakmi?[27]

Meyer o'zining ssenariysini ""Shox chiqaruvchi" kosmik kosmosda "deb nomlangan, dengiz havolalari va havodor muhitdan foydalangan holda.[12]:243 (Hornblower dasturni namoyish qilishda Roddenberry va Shatner uchun ilhom manbai edi, garchi Meyer bundan bexabar bo'lsa ham.)[28] Sallin Meyerning filmga bo'lgan qarashidan hayratda qoldi: "Uning g'oyalari o'lchov olib keldi, biz ishlayotganimizda material ko'lamini kengaytirdi".[21] Gen Roddenberi ssenariyning dengiz tuzilishi va Xonnikiga qo'shilmadi Kapitan Axab subtones, lekin ijodiy guruh tomonidan asosan e'tiborga olinmagan.[12]:245

Paramount vijdonan ishora qilib, filmning nomini asl ish nomidan o'zgartirdi, Xonning qasosi, chunki u ishchi nomiga juda yaqin edi Lucasfilm yaqinda Yulduzlar jangi film. Biroq, ism o'zgartirilgandan so'ng, Lucasfilm ham o'zgardi Jedining qasosi sarlavha Jedining qaytishi. Trek filmi uchun avvalroq ishchi nom bo'lgan Kashf qilinmagan mamlakat, oxir-oqibat uchun ishlatiladigan sarlavha oltinchi film franchayzing.[29]

Dizayn

Meyer tashqi ko'rinishini o'zgartirishga urindi Yulduzli trek byudjet doirasida bo'lishni rejalashtirgan dengiz atmosferasiga mos kelish.[10] The Korxonamasalan, a kema qo'ng'irog'i, qayiqchining chaqiruvi,[20] va ko'proq yonib-o'chadigan chiroqlar va belgilar.[19] Meyerga "Chekish taqiqlanadi" belgisi qo'shilgan edi Korxona's ko'prik, u esladi "Hamma bir narsaga duch keldi [...] Men:" Nega ular kelajakda chekishni tashladilar? Ular to'rt yuz yildan beri chekishadi, sizningcha, bu keyingi ikki yilda to'xtaydi deb o'ylaysizmi? "[19] Ushbu belgi filmning birinchi kadrida paydo bo'ldi, ammo oxirgi qismda paydo bo'lganlar uchun o'chirildi.[13]

Belgilangan dizaynga pul tejash uchun ishlab chiqaruvchi dizayner Jozef Jennings mavjud elementlardan foydalangan Kinofilm filmni suratga olish tugagandan so'ng tik turgan holda qoldirilgan.[20] Filmning oltmish besh foizi xuddi shu to'plamda suratga olingan; The ko'prik ning Ishonchli va ochilish joyidan "ko'prik simulyatori" bo'lgan tuzatishlar ning Korxona's ko'prik.[10] Klingon ko'prigi Kinofilm Regula I transportyor xonasi va korxonaning torpedo ko'rfazida qayta tiklandi.[19] Film ijodkorlari cho'zilib ketishdi Xonning g'azabi'birinchi filmdagi modellar va kadrlarni, shu jumladan kadrlarni qayta ishlatish bilan byudjet Korxona intervalgacha.[13] Original kema miniatyuralari iloji boricha ishlatilgan yoki yangi konstruktsiyalar sifatida turish uchun o'zgartirilgan. Orbital ofis kompleksi Kinofilm teskari va rötuşla Regula I kosmik stantsiyasiga aylandi.[20] Bekor qilingan elementlar Yulduzli trek: II bosqich qalpoqchalar, to'siqlar va to'siqlar kabi televizion ko'rsatuvlar odamxo'rlangan va qayta ishlatilgan.[13] Dizaynerlarni tashvishga soladigan narsa shu edi Ishonchli dan osongina farq qilish kerak Korxona. Bennett tasodifan ochilib, dastlabki tasdiqlanganidan keyin kema dizayni aylantirildi Ishonchli dizaynlarni teskari yo'nalishda.[10]

Dan yagona misol Xonning g'azabi displeyda Yulduzli trek: tajriba

Dizayner Robert Fletcher mavjud kostyumlarni qayta ishlab chiqish va yangilarini yaratish uchun olib kelingan. Fletcher sof rangdan biroz o'chirilgan materiallardan foydalangan holda "buzuq ranglar" sxemasiga qaror qildi. "Ular bugun siz ko'radigan ranglar emas, shuning uchun nozik tarzda [ular] boshqa vaqtni ko'rsatadi."[21] Meyerga bu yoqmadi Starfleet formasi yoki teleseriallardan yoki Kinofilm va ularning o'zgarishini xohlardim,[26] ammo byudjet tufayli butunlay bekor qilinishi mumkin emas edi. Matoning bo'yoq sinovlari shuni ko'rsatdiki, eski forma uchta rangni yaxshi egallagan: ko'k-kulrang, oltin va to'q qizil. Fletcher fon bilan ta'minlangan kuchli kontrast tufayli to'q qizil rangdan foydalanishga qaror qildi. Olingan dengiz kuchlari ilhomlantiradigan dizaynlarda foydalaniladi Yulduzli trek qadar filmlar Birinchi aloqa (1996). Formalarning dastlabki versiyalarida qattiq bo'yinbog 'bor edi, ammo Sallin uni vertikal tikuvdan foydalanib, uni turtlakka o'zgartirishni taklif qildi. trapunto. Usul tasvirlangan joylarni ichi bo'sh igna orqali havo bosimi orqali otilgan yumshoq ip bilan to'ldirish orqali materialga relyef ta'sirini yaratadi.[21] Vaqtiga kelib Xonning g'azabi's ishlab chiqarish, ishlab chiqarish uchun zarur bo'lgan mashinalar va ignalar trapunto kamdan-kam uchragan va Fletcher shkaf bo'limi uchun faqat bitta igna topa olgan.[20] Ekipaj ignasini yo'qotish yoki sindirishdan juda xavotirda ediki, bo'lim ishchilaridan biri xavfsizlik chorasi sifatida uni o'zi bilan birga olib ketdi va Fletcher uni o'g'irlangan deb o'yladi.[21]

Xan va uning izdoshlari uchun Fletcher yuqori darajada tashkil etilgan Starfleet formasi bilan kuchli kontrast yaratdi; uning fikri shundan iborat ediki, surgun qilinganlarning liboslari ular topadigan narsalardan qilingan.[10] Fletcher shunday dedi: "Xon bilan mening niyatim, ular hech qanday texnik infratuzilmasi bo'lmagan sayyorada marooned bo'lganliklarini ifoda etish edi, shuning uchun ular foydalangan yoki kiygan narsalarini kosmik kemadan yeb tashlashlari kerak edi. Shuning uchun men uni go'yo o'xshatishga harakat qildim. Ular o'zlarini kemadan tashkil topgan yumshoq mebel va elektr jihozlaridan kiyib olgan edilar. "[10] Xonning kostyumi Rikardo Montalbanning jismoniy holatini ko'rsatish uchun ochiq ko'krak bilan ishlangan. Fletcher, shuningdek, Regula I olimlari uchun smoklar va Kirk va Makkoy uchun oddiy va qulay ko'rinishga mo'ljallangan fuqarolik kiyimlarini ishlab chiqardi.[10]

Suratga olish

Asosiy fotosurat 1981 yil 9 noyabrda boshlangan va 1982 yil 29 yanvarda tugagan.[21] Xonning g'azabi oldingisiga qaraganda ko'proq harakatga yo'naltirilgan edi, ammo buni amalga oshirish uchun kam xarajat. Loyiha Paramountning teatr bo'limi o'rniga uning televizion bo'limi tomonidan boshqarilgan.[21] Hurmatli televizion faxriy Bennett yaratdi Xonning g'azabi byudjet bo'yicha 12 million dollar.[3] Dastlab byudjet 8,5 million dollarni tashkil etgan, ammo dastlabki ikki haftalik kadrlar prodyuserlarni hayratga solganida o'sdi.[19] Meyer katta va qimmatbaho to'plamlarning qurilishidan tejash uchun kamera va fokuslardan foydalangan. Sodir bo'lgan sahna uchun Starfleet akademiyasi, a majburiy istiqbol sahna ko'rinishini kameraga yaqin joyda joylashtirib, to'plam aslidan kattaroqligini his qilish uchun yaratilgan. Illyuziyani taqdim etish uchun Korxona'Liftlar pastki qavatlar orasida harakatlanar edi, yo'lak bo'laklari g'ildiraksiz ko'rinib turar edi, ko'tarish eshiklari yopilganda zal konfiguratsiyasini o'zgartirdi.[13] Kompyuter terminallari kabi fon uskunalari imkon qadar to'g'ridan-to'g'ri sotib olish o'rniga ijaraga olindi. Qayta ishlangan fazer va kommunikator kabi ba'zi bir dizaynlashtirilgan rekvizitlar Paramount rahbarlari tomonidan mavjud materiallar foydasiga veto qo'yilgan. Kinofilm.[21]

The Korxona tashqi qiyofasi xiralashgan va ramkaga qo'shimcha tafsilotlar qo'shilgan holda, kosmik kadrlar uchun yangilangan.[21] Yangi qurilgan bilan taqqoslaganda Ishonchli, Korxona effektlar rassomlari va operatorlari tomonidan nafratlangan; modelni o'rnatish uchun sakkiz kishi va uni ko'chirish uchun forklift yuk mashinasi kerak bo'ldi.[21] The IshonchliShu bilan birga, engilroq va ichki simlari unchalik murakkab bo'lmagan. Kosmik kemaning miniatyuralari ko'k ekranga suratga olindi, bu post-prodüksiyada ularni oldingi miniatyuralardan mustaqil ravishda suratga olgan fon manzaralari bilan birlashtirishga imkon berdi. Kemaning korpusidagi ko'k rangning har qanday aksi filmdagi teshik bo'lib ko'rinadi; so'nggi film uchun bo'shliqlarni ramka bo'yicha ramka bilan yamash kerak edi. Xuddi shu kamera suratga olish uchun ishlatilgan Yulduzlar jangi, Dikstraflex, tortishish uchun ishlatilgan Korxona va boshqa kemalar.[21]

Ceti Alpha V ning cho'l yuzasi Paramount studiyasidagi eng katta ovozli sahna bo'lgan 8-bosqichda simulyatsiya qilingan. To'siq erdan 25 metr balandlikda ko'tarilgan va yog'och matlar bilan qoplangan, uning ustiga tonna rangli qum va kukunlar tashlangan. A siklorama bo'yalgan va to'plamga o'ralgan, ulkan sanoat muxlislari esa qum bo'ronini yaratgan. Filmni suratga olish aktyorlar va ekipaj uchun ham noqulay bo'lgan. Koenig va Uinfildning spandeks atrof-muhit kostyumlari shamollatilmagan va aktyorlar havo kerak bo'lganda mikrofon orqali signal berishlari kerak edi. Mexanik muammolarning oldini olish uchun suratga olish uskunalari plastikka o'ralgan va hamma uchib ketayotgan qumdan himoya qilish uchun etik, niqob va kombinezon kiygan.[21]

Spokning o'limi uch kun davomida otib tashlandi, shu vaqt ichida mehmonlarni maydonga tushirishga ruxsat berilmagan.[9] Spokning o'limi orqaga qaytarilmas bo'lishi kerak edi, ammo Nimoy filmni suratga olish jarayonida shu qadar ijobiy tajribaga ega ediki, u keyingi filmda Spokning qaytishiga yo'l qo'shib beradimi, deb so'radi. Aql-idrokning ketma-ketligi dastlab Kellining nima bo'layotganini oldindan bilmasdan suratga olingan.[12]:248 Shatner o'lim sahnasida Spok va Kirk o'rtasida aniq oynani ajratib turishga rozi emas edi; u buning o'rniga tomoshabinlarga faqat Spok siluetini ko'rishga imkon beradigan shaffof bo'luvchi bo'lishni xohladi, ammo uning e'tirozi bekor qilindi. Spokni dafn qilish marosimida Meyer kameradan Spokning tobuti bo'lib xizmat qilgan torpedani kuzatib borishini xohladi, chunki u uzun truba ichiga joylashtirilgan va ishga tushirgichga o'ralgan. Suratga olish kamerasi kadrlarni suratga olish uchun butun majmuani qayta tiklash kerak deb o'ylar edi, ammo Sallin qo'g'irchoqni chuqurga qo'yib, uni ofset qo'li bilan yuqoridan boshqarishni taklif qildi.[10] Skottning "Ajoyib joziba "sumkachalar ustida edi Jeyms Duxan fikr.[30]

Filmda Spokning o'limi prodyuserlik paytida keng tarqalgan. "Trekkies "e'tiroz bildirish uchun xatlar yozgan, biri pul to'lagan savdo matbuoti Paramount-ni fitnani o'zgartirishga undaydigan reklama va Nimoy hatto o'lim bilan tahdid qilgan.[31][32] Sinov tomoshabinlari Spokning o'limi va filmning oxiridagi qorong'i ohangga yomon munosabatda bo'lishdi,[10] shuning uchun uni Bennett yanada ko'tardi. Sayyoradagi Spok kassasining sahnasi va Nimoyning yakunlovchi monologi qo'shildi; Meyer e'tiroz bildirdi, ammo modifikatsiyaga to'sqinlik qilmadi.[12]:249 Nimoy filmni ko'rmaguncha sahna haqida bilmas edi,[33] ammo ochilishidan oldin OAV muxlislarni yana "Spock yashaydi" deb ishontirdi.[32] Vaqt cheklanganligi sababli, tobut sahnasi San-Frantsisko shahrining o'sib chiqqan burchagida suratga olingan Golden Gate Park, ibtidoiy atmosferani qo'shish uchun tutunli mashinalardan foydalanish. Rasmga tushirish tushdan kechgacha davom etdi, chunki jamoa qayta tasvirlashga vaqt qolmasligini yaxshi bilar edi.[34]

Rejalashtirilgan maxsus effektlarni birlashtirishga imkon berish uchun filmni suratga olish jarayonida alohida e'tibor berildi. Kompyuter displeylari uchun turgan televizor monitorlari maxsus kalibrlangan yangilanish tezligi filmda tasma hosil bo'lishiga olib kelmadi.[13] Elementni optik printerda qayta suratga olish natijasida aniqlik va sifat yo'qolishi sababli effektlar uchun jonli harakatlar ketma-ketligi 65 mm yoki VistaVision kompensatsiya qilish uchun formatlar. Printerdagi anamorfik ob'ektiv orqali kattaroq tazyiqlar kamaytirilganda, natijada a Panavision kompozitsion.[35]:1055

Effektlar

Tugatish uchun qisqa muddat bilan Xonning g'azabi'Maxsus effektlar ketma-ketliklari, effektlar bo'yicha nazoratchi Jim Ville, Meyer, Jennings, Sallin va Minor ssenariy uchun yozilgan g'oyalarni aniq syujetlarga va ingl. Batafsil ketma-ketliklar film ta'sirini nazoratdan chiqib ketmasligi va xarajatlarni oshirib yubormasligi uchun juda muhimdir Kinofilm.[21] Har bir maxsus va optik effekt va ketma-ketlik davomiyligi sanab o'tildi.[21] Olti hafta oxirida ishlab chiqaruvchilar deyarli barcha effektlarning asosiy ko'rinishini va qurilishini aniqladilar; natijada olingan kadrlar besh oydan so'ng film kadrlari bilan birlashtirildi.[35]:1032 Sanoat engil va sehr (ILM) ko'plab effektlarni yaratdi va yangi modellarni yaratdi; The Ishonchli birinchi bo'lmaganKonstitutsiya- seriyada ko'rilgan sinf federatsiyasi yulduzli kemasi. Dastlab, Ishonchli kabi homilador bo'lgan Konstitutsiya-ga o'xshash sinf yulduzi Korxona, ammo tomoshabinlar ikkita bir xil kemani ajratib olishda qiynalishi sezilardi.[20] Ssenariysi uchun Ishonchli va Korxona bir-biriga katta zarar etkazish uchun, ILM modellarga jismoniy zarar etkazmasdan zararni tasvirlash uchun texnikani ishlab chiqdi.[20] Modellarni a-ga ko'chirish o'rniga ko'k rang tortishish paytida VistaVision kamerasi panjara qilingan va harakat illyuziyasini berish uchun kuzatilgan.[10] Zarar Korxona kosmetik va alyuminiyning rangli yoki tozalangan qismlari bilan simulyatsiya qilingan. Faser yordamida zarar yaratildi harakatni to'xtatish. Ssenariyga katta miqdordagi zarar etkazilishi kerak Ishonchli, shuning uchun portlatish uchun kema modelining kattaroq versiyalari yaratilgan.[20]

The Korxona (chapda) qattiq shikastlangan joydan uzoqlashish Ishonchli Mutara tumanligida. Uchqunlar Ishonchli"s nacelle ramkalar bo'yicha qo'lda animatsiya qilingan.

Tumanlikdagi jang kompyuter tomonidan ishlab chiqarilgan modellarning yordamisiz bajarilishi qiyin bo'lgan ketma-ketlik edi. Aylanayotgan tumanlik lateks kauchuk va ammiak aralashmasini toza va sho'r suv bilan to'ldirilgan bulutli idishga quyish natijasida hosil bo'lgan.[34] Barcha kadrlar tezroq harakatlanish illyuziyasini berish uchun sekundiga ikki kadrda suratga olingan. Tumanlikdagi jonli mavhum ranglar tank yordamida yoritish orqali simulyatsiya qilingan rangli jellar. Aurora kabi qo'shimcha yorug'lik effektlari ILM animatsiya bo'limi tomonidan yaratilgan.[34] Mat ishdan foydalanib, kemalar jismonan tortishishni yakunlash uchun orqa plita ustiga yopishtirilgan.[10] Ning yo'q qilinishi Ishonchli's motor nacelle dvigatelning bir-biridan ajralib turadigan zarbalari va model ustidagi portlashlar natijasida hosil bo'lgan.[10]

Terrell Regula olimi Jeddani fazer bilan bug'lab o'ldirgan voqea ikki pallada suratga olingan. Uinfild va unga tegishli aktyorlar birinchi bo'lib sahnani ijro etishdi; ushbu kadrlar fon lavhasiga aylandi. Moviy ekran sahnaga va aktyorga o'tirdi Jon Vargas, fazer portlashini qabul qiluvchisi, energiya quroli bilan urilganiga javoban harakat qildi. Fon plitasining yuqori qismiga fazli nurli element qo'yildi va Vargasning tortishishlari optik jihatdan eritilib, parchalanuvchi parchalanish effektiga aylantirildi va bu har bir kadrda Vargas pozitsiyasiga mos keldi.[35]:1034

Ceti eel otishmalarida vizual effektlar bo'yicha nazoratchi tomonidan nazorat qilinadigan bir nechta modellar ishlatilgan Ken Ralston, kim uchun faqat jonzotlar dizaynini tugatgan Jedining qaytishi. U aktyorlarning quloq kanaliga kirmasdan oldin ularning yuzlari bo'ylab modellarni dyuym qilish uchun eellarga ip bog'lab qo'ydi.[10] Chekovning qulog'idan etuk baliqlarning chiqib ketishi sahnasi mikrofilamentni o'rnatilgan joyning tagidan Koenigning qulog'iga o'tkazib simulyatsiya qilingan. Ushbu sahna uchta variant bilan suratga olingan bo'lib, ularni Ralston "quruq otish, biri qon bilan va" deb ta'riflagan Fangoriya otilgan, juda zo'r ".[21] Koenigning qulog'ining ulkan modeli tasvirlari, tomoshabinlarda paydo bo'lgan visseral reaktsiya tufayli teatrdan chiqarildi.[13]

Piter Kuran boshchiligidagi kichik effektlar ishlab chiqaruvchi Visual Concept Engineering (VCE) kompaniyasi tomonidan qo'shimcha optik effektlar taqdim etildi; Kuran ilgari ILMda ishlagan va tugatgandan so'ng ketgan Imperiya orqaga qaytadi.[21] VCE effektlarni taqdim etdi, shu jumladan fazer nurlari, Korxona reaktor, Ceti Alpha V-dagi qo'shimcha qum va yangilangan transport effekti. Meyer va prodyuserlik xodimlari asl teleserialda bo'lgani kabi transportyor uchun muzlatilgan ramkalardan foydalanmaslik to'g'risida qat'iy qaror qilishdi. Sahnalar tasvirlar o'rtada transportda bo'lganida suhbatlar davom etishi uchun suratga olindi,[13] VCE tomonidan yaratilgan matli ishlarning katta qismi ishlab chiqarish transport paytida juda ko'p harakat qilmaslikka qaror qilganida bekor qilingan bo'lsa-da.[21]

Xonning g'azabi keng qo'llanilgan birinchi filmlardan biri edi kompyuter grafikasi maxsus effektli kadrlarni ishlab chiqarishni tezlashtirish. Kompyuter grafikasi kompaniyasi Evans va Sutherland ishlatilgan Digistar a asosida yulduzlar maydonlarini hosil qilish uchun planetariy simulyatsiya kompyuteri haqiqiy yulduzlar ma'lumotlar bazasi Va atrofida harakatlanish va yulduzlarga yorug'lik tezligidan kattaroq uchish uchun yangi qobiliyat bilan.[36][37]:1038Kema modellari yulduz maydonlari ustida birlashtirilgan.[38] Ushbu yulduz maydonlari, shuningdek, kredit ochilishidan oldin va oldin ishlatilgan. The Evans va Sutherland jamoasi ham ishlab chiqargan vektorli grafikalar taktik displeylar Korxona va simulyator ko'prigi.[35]:1034

Filmning texnik yutuqlari qatorida kinoteatrlarning birinchi kompyuterlar tomonidan yaratilgan ketma-ketliklari ham, yulduzlar ochilishidan oldin uchib o'tishlari va Ibtido qurilmasining bepusht sayyoraga ta'sirini namoyish etish uchun animatsiyasi ham bor edi.[39][40] Rasmga tushirishning birinchi kontseptsiyasi laboratoriya namoyishi shaklida bo'lib, u erda tosh xonaga joylashtirilib, gulga aylantiriladi.[10] Ville, Ibtido ta'sirida sayyorani egallashini ko'rsatish uchun ketma-ketlik doirasini kengaytirishni taklif qildi. Paramount yanada dramatik taqdimotni yuqori baholagan bo'lsa-da, ular simulyatsiya an'anaviy animatsiyadan ko'ra ta'sirchan bo'lishini xohlashdi.[35]:1034 Tomonidan olib borilgan tadqiqotlarni ko'rib Lucasfilm's Computer Graphics group, Veilleux offered them the task. Introducing the novel technique of zarralar tizimlari[41] for the sixty-second sequence, the graphics team also paid great attention to detail such as ensuring that the stars visible in the background matched those visible from a real star light-years from Earth. The animators hoped it would serve as a "commercial" for the studio's talents. The studio would later branch off from Lucasfilm to form Pixar.[40] The sequence would be reused in two sequels, Star Trek III: Spokni qidirish va Star Trek IV: Sayohat uyi, as well as in the unrelated LaserDisc -based stand-up video Arja o'yini Astron kamari.[42]

Musiqa

Jerri Goldsmit had composed the music for Kinofilm, but was not an option for Xonning g'azabi given the reduced budget; Meyer's composer for Vaqtdan keyin vaqt, Miklos Rozsa, was likewise prohibitively expensive.[43]:105 Bennett and Meyer wanted the music for the film to go in a different direction, but had not decided on a composer by the time filming began. Meyer initially hoped to hire an associate named John Morgan, but Morgan lacked film experience, which would have troubled the studio.[44]:5

Paramount's vice-president of music Joel Sill took a liking to a 28-year-old composer named James Horner, feeling that his demo tapes stood out from generic film music.[44]:6 Horner was introduced to Bennett, Meyer and Salin.[21] Horner said that "[The producers] did not want the kind of score they had gotten before. They did not want a Jon Uilyams Xol, o'z-o'zidan. They wanted something different, more modern."[45] When asked about how he landed the assignment, the composer replied that "the producers loved my work for Volfen, and had heard my music for several other projects, and I think, so far as I've been told, they liked my versatility very much. I wanted the assignment, and I met with them, we all got along well, they were impressed with my music, and that's how it happened."[46] Horner agreed with the producers' expectations and agreed to begin work in mid-January 1982.[21]

In keeping with the nautical tone, Meyer wanted music evocative of seafaring and swashbuckling, and the director and composer worked together closely, becoming friends in the process.[44]:6 As a classical music fan, Meyer was able to describe the effects and sounds he wanted in the music.[45] While Horner's style was described as "echoing both the bombastic and elegiac elements of John Williams' Yulduzlar jangi and Goldsmith's original Yulduzli trek (The Motion Picture) scores,"[47] Horner was expressly told to not use any of Goldsmith's score. Instead Horner adapted the opening fanfare of Aleksandr jasorat "s Yulduzli trek television theme. "The fanfare draws you in immediately — you know you're going to get a good movie," Horner said.[44]:9

In comparison to the flowing main theme, Khan's leytmotiv was designed as a percussive texture that could be overlaid with other music and emphasized the character's insanity.[21] The seven-note brass theme was echoplexed to emphasize the character's ruminations about the past while on Ceti Alpha V, but does not play fully until Ishonchli's attack on the Korxona. Many elements drew from Horner's previous work (a rhythm that accompanies Khan's theme during the surprise attack borrows from an attack theme from Volfen, in turn influenced by Goldsmith's score for Chet ellik ). Musical moments from the original television series are also heard during investigation of the Regula space station and elsewhere.[43]:106–107

To Horner, the "stuff underneath" the main story was what needed to be addressed by the score; yilda Xonning g'azabi, this was the relationship between Kirk and Spock. The main theme serves as Kirk's theme, with a mellower section following that is the theme for the Starship Korxona.[44]:8 Horner also wrote a motif for Spock, to emphasize the character's depth: "By putting a theme over Spock, it warms him and he becomes three-dimensional rather than a collection of schticks."[21] The difference in the short, Frantsuz shoxi -based cues for the villain and longer melodies for the heroes helped to differentiate characters and ships during the battle sequences.[44]:9

The soundtrack was Horner's first major film score,[47] and was written in four and a half weeks. The resulting 72 minutes of music was then performed by a 91-piece orchestra.[45] Recording sessions for the score began on April 12, 1982 at the Warner Bros. lot, The Burbank Studios and continued until April 15.[44]:9 A pickup session was held on April 30 to record music for the Mutara nebula battle, while another session held on May 3 was used to cover the recently changed epilogue.[44]:10 Horner used synthesizers for ancillary effects; at the time, science fiction films such as E.T. erdan tashqari va Narsalar were eschewing the synthesizer in favor of more traditional orchestras.[48] Kreyg Xaksli performed his invented instrument—the Blaster Beam —during recording, as well as composing and performing electronic music for the Genesis Project video.[44]:17 While most of the film was "locked in" by the time Horner had begun composing music, he had to change musical cue orchestration after the integration of special effects caused changes in scene durations.[45]

Mavzular

Xonning g'azabi features several recurring themes, including death, resurrection, and growing old.[49] Upon writing his script, Meyer hit upon a link between Spock's death and the age of the characters. "This was going to be a story in which Spock died, so it was going to be a story about death, and it was only a short hop, skip, and a jump to realize that it was going to be about old age and friendship," Meyer said. "I don't think that any of [the other preliminary] scripts were about old age, friendship, and death."[9] In keeping with the theme of death and rebirth symbolized by Spock's sacrifice and the Genesis Device, Meyer wanted to call the film Kashf qilinmagan mamlakat, ga murojaat qilib Shahzoda Hamlet 's description of death in Uilyam Shekspir "s Hamlet,[50] but the title was changed during editing without his knowledge.[9] Meyer disliked Wrath of Khan, but it was chosen because the preferred Vengeance of Khan bilan ziddiyatli Lucasfilm yaqinda Jedining qasosi (qayta nomlandi Jedining qaytishi late in production).[25]

William Shatner in 1982. Shatner, 50 years old in 1981, was uneasy about playing an aged Kirk.

Meyer added elements to reinforce the aging of the characters. Kirk's unhappiness about his birthday is compounded by McCoy's gift of reading glasses. The script stated that Kirk was 49, but Shatner was unsure about being specific about Kirk's age.[9] Bennett remembers that Shatner was hesitant about portraying a middle-aged version of himself, and believed that with proper makeup he could continue playing a younger Kirk. Bennett convinced Shatner that he could age gracefully like Spenser Treysi; the producer did not know that Shatner had worked with Tracy on Nürnbergdagi hukm (1961), and was fond of the actor.[10] Meyer made sure to emphasize Kirk's parallel to Sherlok Xolms in that both characters waste away in the absence of their stimuli; new cases, in Holmes' case, and starship adventures in Kirk's.[9]

Khan's pursuit of Kirk is central to the film's theme of vengeance, and Xonning g'azabi deliberately borrows heavily from Xerman Melvill "s Mobi-Dik.[51] To make the parallels clear to viewers, Meyer added a visible copy of Mobi-Dik to Khan's dwelling.[9] Khan liberally paraphrases Ahab, with "I'll chase him round the moons of Nibia and round the Antares maelstrom and round perdition's flames before I give him up!". Khan also quotes Ahab's tirade at the end of the novel verbatim with his final lines: "To the last I grapple with thee; from Hell's heart I stab at thee; for hate's sake, I spit my last breath at thee."[51][52]

Chiqarish

The film's novelization, written by Vonda N. McIntyre, stayed on the Nyu-York Tayms paperback bestsellers list uch haftadan ko'proq vaqt davomida.[53] Oldingi filmdan farqli o'laroq, Wrath of Khan was not promoted with a toy line, although Playmates O'yinchoqlar created Khan and Saavik figures in the 1990s, and in 2007 Art Boshpana crafted a full series of action figures to mark the film's 25th anniversary.[54] 2009 yilda, IDW Publishing released a comic adaptation of the film,[55] va Filmlar har oyda released an expanded score.[56]

Xonning g'azabi opened on June 4, 1982 in 1,621 theaters in the United States. It made $14,347,221 in its opening weekend, at the time the largest opening weekend gross in history.[57] It went on to earn $78,912,963 in the US,[58] becoming the sixth highest-grossing film of 1982.[59] It made $97,000,000 worldwide.[4] Although the total gross of Xonning g'azabi was less than that of Kinofilm, it was more profitable due to its much lower production cost.[57]

Qabul qilish

Critical response was positive.[60] Tekshirish agregatori Rotten Tomatoes reports that 88% of 60 critics have given the film a positive review, recording an average score of 8.18/10.[61] After the lukewarm reaction to the first film, fan response to Xonning g'azabi juda ijobiy bo'ldi. The film's success was credited with renewing interest in the franchise.[62] Mark Bernardin of Ko'ngilochar haftalik qo'ng'iroq qilib, oldinga bordi Xonning g'azabi "the film that, by most accounts, saved Yulduzli trek as we know it";[63] it is now considered one of the best films in the series.[62][63][64][65] Pauline Kael ning Nyu-Yorker called the film "wonderful dumb fun."[66][67] Gen Siskel gave the film three-and-a-half stars out of four, calling it "a flat-out winner, full of appealing characters in engaging relationships in a futuristic film that has a delightfully old-fashioned sense of majesty about its characters and the predicaments they get into."[68]

The film's pacing was praised by reviewers in The New York Times va Washington Post as being much swifter than its predecessor and closer to that of the television series.[69][70] Janet Maslin ning The New York Times credited the film with a stronger story than Kinofilm and stated the sequel was everything the first film should have been.[69] Turli xillik bunga rozi bo'ldi Xonning g'azabi was closer to the original spirit of Yulduzli trek oldingisiga qaraganda.[71] Strong character interaction was cited as a strong feature of the film,[72] as was Montalbán's portrayal of Khan.[73] 2016 yilda, Playboy ranked the film number four on its list of 15 Sequels That Are Way Better Than The Originals.[74] Mashhur mexanika would later rate Spock's death the tenth greatest scene in science fiction.[75]

Rojer Ebert ning Chikago Sun-Times and Derek Adams of Taym-aut; turib qolish; tanaffus complained about what were seen as tepid battle sequences[73] and perceived melodrama.[70][76] While Ebert and Televizion qo'llanma felt that Spock's death was dramatic and well-handled,[73][77] Washington Post's Gary Arnold stated Spock's death "feels like an unnecessary twist, and the filmmakers are obviously well-prepared to fudge in case the public demands another sequel".[70] Negative reviews of the film also focused on the acting,[70][78] va Imperiya singled out the "dodgy coiffures" and "qor bobo, Santa Klaus tunics" as elements of the film that had not aged well.[79]

Kristofer Jon ko'rib chiqdi Star Trek II: Xonning g'azabi yilda Ares jurnali #13 and commented that "By not taking itself so seriously – that is, realizing the film should be an action adventure with elements of pathos and philosophy gently added – Xonning g'azabi succeeded brilliantly. For those who loved the series, it was a dream come true (to such an extent that many refuse to acknowledge the existence of the first film as part of the Yulduzli trek epos)."[80]

Xonning g'azabi ikkitasini yutdi Saturn mukofotlari in 1982, for best actor (Shatner) and best direction (Meyer).[81][82] The film was also nominated in the "best dramatic presentation" category for the 1983 Hugo mukofotlari, lekin yutqazdi Pichoq yuguruvchisi.[83] Xonning g'azabi has influenced later movies: Meyer's rejected title for the film, Kashf qilinmagan mamlakat, was finally put to use when Meyer directed the oltinchi film, which retained the nautical influences.[9] Direktor Bryan Singer cited the film as an influence on X2 and his abandoned sequel to Supermen qaytadi.[84] The film is also a favorite of director J. J. Abrams, ishlab chiqaruvchi Damon Lindelof va yozuvchilar Roberto Orchi va Aleks Kurtman, the creative team behind the franchise relaunch film Yulduzli trek.[85][86][87] Abrams' second entry in the relaunched film series, Zulmatga kirib boradigan trek, drew significantly from Wrath of Khan.[88][89][90]

Uy ommaviy axborot vositalari

Paramount released Xonning g'azabi RCA-da CED Videodisc in 1982 and on VHS va Betamaks in 1983. The studio sold the VHS for $39.95, $40 below contemporary movie cassette prices[91] and it sold a yozuv 120,000 copies.[91] The successful experiment was credited with instigating more competitive VHS pricing, an increase in the adoption of increasingly cheaper VHS players, and an industry-wide move away from rentals to sales as the bulk of videotape revenue.[92][93]

Paramount released Xonning g'azabi kuni DVD 2000 yilda; no special features were included on the disc.[94] Montalbán drew hundreds of fans of the film to Universal Siti, Kaliforniya where he signed copies of the DVD to commemorate its release.[95] In August 2002, the film was re-released in a highly anticipated[96] two-disc "Director's Edition" format.[97] In addition to remastered picture quality and 5.1 Dolby atrofdagi tovush, the DVD set included rejissyor sharhi, cast interviews, hikoya taxtalari va teatrlashtirilgan treyler.[98] The expanded cut of the film was given a Hollywood premiere before the release of the DVD. Meyer stated that he didn't believe directors' cuts of films were necessarily better than the original but that the re-release gave him a chance to add elements that had been removed from the theatrical release by Paramount.[99] The four hours of bonus content and expanded director's cut were favorably received.[98][100][101][102]

Filmning asl teatri kesilgani e'lon qilindi Blu-ray disk in May 2009 to coincide with the new Yulduzli trek feature, along with the other five films featuring the original crew in Star Trek: Original filmlar to'plami.[103] Of all six original films, Wrath of Khan was the only one to be remastered in 1080p yuqori aniqlik from the original negative. Nicholas Meyer stated that the Wrath of Khan negative "was in terrible shape," which is why it needed extensive restoration. All six films in the set have new 7.1 Dolby TrueHD audio. The disc also features a new commentary track by director Nicholas Meyer and Star Trek: Korxona shou Menni Koto.[103] On April 24, 2016, Paramount Pictures announced the Director's Edition of the film would be released for Blu-ray Disc on June 7, 2016.[104]

Shuningdek qarang

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